Did you ever read or hear Obama’s January 2009 inauguration speech? I remember my delight as I read the transcript that the New York Times posted online, how moved I was by its complexity of argument and its elegant, quite high register, with echoes of Emerson and the King James Bible. Here’s a man, I thought, who’s speaking not to the “unwashed masses” but to the enlightened citizens of the country he’d like to exist. And he wasn’t just speaking to them: he was also willing them into existence.
Maybe history doesn’t bear such gestures out; probably a country’s people don’t change their character because of a leader’s good intentions. But that doesn’t make his gesture any less noble, to my mind, or less important.
I felt much the same way towards the end of your production of Ibsen’s An Enemy of the People at Tarragon Theatre, or rather your revision of Thomas Ostermeier’s production of Ibsen’s play in Florian Borchmeyer’s adaptation and Maria Milisavljevic’s translation (to put it simply). A contemporary update of Ibsen’s story of a man who speaks out about his town’s contaminated water supply and runs afoul of the local economic elite, it struck me as perhaps the most important production I’ve seen at the Tarragon in years.