Thanks so much for your open letter to me about my play Little Death, the premiere production of which just closed at Toronto’s Theatre Centre. Your letter is one of the most thoughtful public critical engagements that any of my plays have been offered. I’ll continue to reflect on your words for a long time.
I’m troubled to hear my play caused you and others distress. Wish that hadn’t been so, though I’m also glad that the experience produced your public response. I’m aware that the conversation you’ve started is about more than just my play and its production, that it has to do with larger questions about the state of gender representation (and other kinds of representation) on our stages. But in this letter, mirroring the method of yours, my way into the larger issues will be through the specifics of my play.